The
Curtain Society
volume, tone, tempo
Northeast
Performer Magazine
-Adam Crepeau
The Curtain
Society was formed during the period of time we have come to
refer as the "late 80's and early 90's." The British
noise rock scene had been fully integrated with the college radio
scene. The Jesus & Mary Chain had released Psychocandy a
few years earlier and the genre known as Shoegazing was gaining
steam. The Curtain Society was born in 1988 during this tumultuous
period. Fans were eager to gobble up the wall of noise and watch
their musical heroes stand stock-still while hammering out love
song after love song underneath layers of guitars and feedback.
As it stands, the Society has retained much of its love for noise
but has organized the music, stripped off a few layers, and geared
the music toward today's college radio listener.
"Two
Wonderful Stars" Begins with a guitar loop and launches
into a smooth rhythm of guitars reminiscent of early Hum. "Beautiful
Song" is essentially more crazy guitar and feedback
help together with a catchy chord progression and a solid bassline. "Marigold
Girl" uses The Curtain Society's indoor voice and
focuses on nice vocal harmonies and is content with sounding
like a pop band infused with a desire to get noisy. "Motorcycle
Baby" has a unique flavor to it. It loops a fuzzed-to-hell
drumbeat, drops in a few guitar drones and leaves you with
a musical progression to the mid-90's when everyone felt a
need to get a little funky.
This four-song
sampler was circulated as a what-to-expect piece while the Society
puts the finishing touches on their third full-length LP. It's
hard to figure out where the Curtain Society is going with the
selections they chose on this EP. If they have more songs in
the vein of "Motorcycle
Baby," the forthcoming long-player could be an instant
classic. |